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New Orleans as a Love Affair

  • Writer: Loveday Funck
    Loveday Funck
  • Apr 2
  • 2 min read

I fell in love with New Orleans when I was young, and I think that was always how it was meant to happen. She isn’t a city you admire from a safe distance. She gets under your skin: through the old houses, the hidden courtyards, and the music drifting out of nowhere. She seduces you with the feeling that even an ordinary street corner might be keeping a secret.


When I was younger, I loved her for the drama of it all: the beauty, the mystery, all the endless beautiful details of architecture and color. New Orleans could make a regular day feel cinematic, and I was all in.


I still love that about her.


But as I’ve gotten older, I think I’ve fallen even more in love with the parts of her that age has touched: the peeling paint, purple over teal, purple over yellow; the sagging porches with wayward steps; the faded shutters with bits broken and fallen. I love the the crumbling lacework wrought iron with all the softness and wear that another city might try to cover up.

New Orleans doesn’t hide any of that. She wears it openly. And to me, that’s part of her romance.


I’ve always loved weathered things, especially that blue-green peeling paint that turns an old wall into something almost like a painting. When I was younger, I loved it because it was beautiful. Now I love it because I understand it a little better. It holds time. It holds survival. It holds the proof that something can be worn by the world and still be deeply lovely.

That’s one of the things New Orleans has taught me as an artist: beauty is not the same thing as perfection.


A brand-new wall may be clean, but an old wall remembers. A perfect porch may impress you, but a slightly sagging one has a soul. The iron balconies, dark and rust-softened, feel less like decoration and more like jewelry that has been loved for a very long time.

I think that’s why artists fall so hard for this city. We are drawn to texture, mood, memory, and the things other people overlook. We know that wear can be beautiful. We know that age can deepen rather than diminish.


I loved New Orleans in my youth because she was beautiful.


I love her now because she has taught me that beauty can become even more romantic with age.


And the older I get, the more I love her for that.

 
 
 

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